Rick McGinnis

The shrinking male

Esquire magazine’s motto is “man at his best,” but if you only watched movies and television, the last couple of decades would have made it harder for you to figure out just when, particularly, a man could count on hitting his golden years – that plateau where health, wealth and hard-won wisdom combine at a tolerable average. It certainly isn’t the gormless, sullen teen years. Senior citizens on both the big and ... (Continue reading)

Far, far away. Please.

The scientist Stephen Hawking recently returned to TV screens with a new miniseries, his first since 1997, and like all eager presenters, he took the time to do some interviews to publicize the show. The series, Stephen Hawking’s Into the Universe, is the sort of symphonic, planet-hopping science entertainment that it seems so much easier to produce in an age of flashy computer graphics, and begins and ends with Hawking, frail and ... (Continue reading)

War on celluloid

Among most men of my acquaintance – and this probably says more about my friends than anything else – the most eagerly anticipated TV series this year is HBO’s The Pacific, which will started airing last month (after this column was submitted). It’s a companion piece to the critically-lauded Band of Brothers, the 2001 miniseries that followed a group of paratroopers from basic training to the end of World War Two, ... (Continue reading)

The Blind Side disappoints

There are a few rules about reviewing movies that no one can teach you – that only become evident after you’ve sat through many hundreds of hours of films you probably didn’t enjoy and written reviews that, taken as a whole, provide evidence of a life in the midst of being wasted. Some apply generally to the whole history of moviemaking and can even be extended to other art forms, such ... (Continue reading)

Dismal offerings in recent cinema

My career choice hasn’t been a gateway to riches, but it has a few perks, one of which is the appearance of dozens of DVD screeners in my mailbox in the weeks before Christmas. “Academy screeners” is their full name – DVDs of movies made for members of the Motion Picture Academy of America so that members can nominate Oscar winners without having to drag themselves to a theatre. I don’t ... (Continue reading)

Defending Disney

A few months ago, I found myself having to defend a major entertainment corporation while a guest on a national TV show – not the sort of position any critic relishes. A critic’s credibility is a fragile thing, but you’re always safe defaulting to the contrarian, lone wolf stance much beloved of politicians on the election trail, young rock bands with a little-heard debut album to sell (or older ones ... (Continue reading)

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The family sitcom lives

There are two rituals at the onset of every fall television season; in the first, someone looks over the crop of failed shows from the last season and announces some venerable genre – the three-camera sitcom, the police procedural – as being creatively dead, followed by the unexpected success of a show that singlehandedly revives it. The cycle’s tedious regularity is just one of the reasons why some of us, ... (Continue reading)

9/11 on screen

The sign outside the fire hall in Malton, just near Toronto’s Pearson airport, read “Remember 9-11.” It was just a couple of days since the 8th anniversary of the attacks on the World Trade Centre and the Pentagon, but I was pleased – and somewhat surprised – that someone was still making the effort. I was in my late thirties on the morning of Sept. 11, 2001, just two months from ... (Continue reading)

Mad about Mad Men

The critical success of the show Mad Men, which has just returned for its third season, is probably due to how seductively easy it is to write about. Writers on deadline are ravenous scavengers and, when they run out of things to say about its pre-Beatles 60s setting, its slick period aesthetic or the New York advertising world where most of its characters are employed, they can – if suitably ... (Continue reading)

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Vampires a metaphor for gays in True Blood

Vampires are back. Not that they ever went away, but they’ve been given a pop culture revival that strives to make them even more appealing than ever before. For tweens, there are the painfully attractive, but misunderstood, nightwalking misfits of Twilight, the Stephenie Meyer novel that was recently adapted into the first of a series of films, and for adults, there are the infighting and oversexed bloodsuckers of True Blood, ... (Continue reading)

Kid’s TV a harmless distraction

But nostalgia for kid’s shows doesn’t stand scrutiny During the four years I wrote a daily TV column, I could always rely on at least one study a year, often more, decrying the debilitating effect that television had on the young mind. Among the most recent is a University of Washington report that blamed TV viewing for preventing babies from learning language, while in the U.K., a survey of ... (Continue reading)

Babel of moral equivalence

As Easter weekend rolled around, and with it the end of my agonizing Lenten sacrifice of caffeinated drinks, I couldn’t help but remember childhood Easters and the ritual rolling out of 50s- and 60s-era biblical epics on the big three U.S. networks. The big event was always Cecil B. DeMille’s 1956 remake of his own 1923 silent-era Mosaic blockbuster, The Ten Commandments, alongside less-esteemed widescreen biblical adaptations like King Of ... (Continue reading)

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Good television, mixed messages

If you believe the critics, the most watched shows in America today are Mad Men, Damages, Rescue Me, Breaking Bad and Weeds, and not American Idol, Dancing with the Stars, NCIS, Grey's Anatomy and CSI: Miami. While average ratings for the big networks are falling, it's a testament to the profound gravity and cultural triumph of "quality cable" - the roster of dramas airing their short but well-publicized seasons on ... (Continue reading)

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A vast wasteland

A vast wasteland

Culture and entertainment columnist Rick McGinnis stresses the need for a critical wherewithal when it comes to governing how and where our children spend their time in the technological age. (Continue reading)

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